The Genesis of Parousia – In The Beginning…

 

INCLUDES BONUS TRACK: “Crystal City” (1975) the first original song recorded by Parousia.

The roots of Parousia go way back to the early 70’s, you know, when dinosaurs roamed the earth and your phone was connected to the wall with a wire!  Yeah, that long ago…

Check out these photos of the boys when they were, well, just boys.  Literally.  They look so young and innocent, who would have known what they would start?

Gerry and Barry - Foreshadow the Future

Barry Cannizzaro (Guitar) and Gerry Cannizzaro (Drum) Spring 1968                       104 Baxter Street, Buffalo, NY

Recorded using a portable cassette player, “Crystal City” (1975) is the first original song recorded by Parousia.  Conjured in the attic at 104 Baxter Street in Riverside.

Gerry tells the story of the beginnings of Parousia…

Parousia - In The Beginning...
We would jam in Gerry’s Garage…

My brother Barry had been playing the guitar for years, long before I started formal drum lessons at the age of eight.  When it came time for high-school, I ran into a bunch of very talented musicians.  Some of whom, I never knew lived in my own town of Riverside and Patt Connolly was one of them.  The first time I ran into Patt was at St. Joe’s high-school freshman orientation in the spring of 1974.  Because our names, (Cannizzaro and Connolly) began with the letter ‘C’ we sat in the same homeroom class and because he lived in Riverside like me, we took the same city bus to and from school.

On the bus, I noticed that he carried a flute case.  During summer of ’74 we ran into each other again at Riverside Park and we talked about music and writing songs.  We started sharing albums like “Tommy”  by the Who, “Head Hunters” by Herbie Hancock, “Benefit” by Jethro Tull and Weather Report by Weather Report.

In the spring of 1975, Barry, Patt and I started to jam in my parent’s garage at 104 Baxter.  We were just a trio, Guitar, flute and drums, but I didn’t have a hi-hat yet just a basic 4-piece kit with one splash cymbal and no ride.  We didn’t have a vocalist per se’ at this stage of development. Not that it mattered; we were content just to jam instrumentally and create music. (Besides, none of us owned a professional vocal microphone). After a few months of playing, the three of us agreed that we should start a full band. We needed a main vocalist, a keyboardist a bassist and much more equipment.

In the summer of 1975 the band expanded beyond the three founding members to include Steve Soos (Organ & Piano) and Rick Kollmar (Organ & bass pedals).  For the most part, we were just a group of neighborhood kids and a close circle of friends.  All of us knew each other either from St. Joe’s high-school or Church.  Patt worked over at ST. John’s in Black Rock while Rick, Barry, Steve and I worked at All Saints in Riverside.

On June 27th 1975 Rick Kollmar and Steve Soos officially joined Parousia and both played keyboards.  Problem was, neither one of them owned a portable keyboard so Barry, Patt and I would continue to rehearse by ourselves in the garage on Baxter Street or in the attic, where we wrote our first original song, “Crystal City”.  Meanwhile, Steve and Rick would rehearse the same set of songs at home. This arrangement would have to do until we could figure out a way to put all of us in the same room at the same time.

On June 30th, 1975 we had our first band meeting at Alan Swan’s yard (in a very large tent). It was then that I suggested the band name PAROUSIA.  I’d been kicking that name around ever since I came across it in a bible passage from the book of Revelation.  It wasn’t that I, or any of us in the band were especially religious… We just really liked the dark ‘end-of-the-world’ images from Scripture.  Anyway the name “Parousia” was agreed on for better or worse and we began charting the early course for the band.

It was decided that Alan Swan would be our first booking-agent and Gary Cherneski would help out on promotion and develop the first band logo (which at the time was the Parousia name written in cursive with a diamond dot for the “i”).

In the fall of 1975, Parousia began rehearsing on Sunday’s at All Saints Elementary School on Esser Ave in Riverside. This was a leap forward for two reasons; first, we finally we had a consistent place to rehearse that was heated in the winter.   Secondly, the school had a Wurlitzer organ and an upright piano which allowed Steve and Rick the opportunity to rehearse with the band.  The  rehearsal space came at the right time because our first gig was set for October 26th, 1975 at the C.Y.O. Halloween party.  Of course we all were very nervous to play in front of an audience of our peers outside of the garage environment, but very excited too. Our first show featured Gerry (drums & vocals), Barry (guitar & vocals), Patt (flute & vocals) Steve (piano) and Rick. who played bass on the organ using the keys and foot pedals (much like the Doors, Ray Manzarek).  Our first songs included “I’m Free” by the Who, “Smoke on the Water”, by Deep Purple, “Iron Man” by Black Sabbath and “Aqualung” by Jethro Tull.

Once we decided on a repertoire of contemporary rock songs, Rick Kollmar quit the band because his vision of a Parousia’s was something more suited for lawn fete’s and polka parties.  But the rest of us had something bigger in mind, much much bigger.

We realized that we had to find a full-time bass guitarist to get the rock sound we were looking for. Organ pedals were just not cutting it.  The next day, we approached Mike Newell (a fellow St. Joe’s student) with an offer to join Parousia.  He accepted and our next gig at the C.Y.O. Christmas Dance on December 22nd, 1975 sounded much closer to what we had in mind.  The rock band Parousia finally had ‘lift-off’ and started a ride that would last 17 years…

The meaning of Parousia

The name Parousia was decided on at our 1st Band Meeting June 30th 1975

Steve Soos & Barry Cannizzaro 1975

Steve Soos (Keyboards) & Barry Cannizzaro (Guitar) , two of the founding members of Parousia, June 1975

Patt Connolly Flute & Vocals Joins Parousia June 1975

Patt Connolly Flute & Vocals, founding member of Parousia, June 1975

Gerry's first drum Kit. 'Kent drums' July 14th 1975

Gerry Cannizzaro (drums) – “the founding father” of Parousia, 1975

Gerry's first drum Kit. 'Kent drums' July 14th 1975

Close-up of the coveted Kent drum set, minimalist edition

Original Kent drum factory building at 1189 Military Road, Buffalo, NY

1970’s location of the original Kent drum factory building at 1189 Military Road, Buffalo, NY

A Fender Silvertone, Barry's first guitar amp.

A Fender Silvertone, Barry’s first guitar amp.

Mike Newell Bass Guitar joins Parousia Oct 27th 1975

Bass guitarist Mike Newell, the fifth member to join Parousia, Oct 27th 1975

Gary Cherneski, Alan Swan & Barry's head

Gary Cherneski (promotion & logo design), Alan Swan (band manager) & Barry’s head

First rehearsal place - the garage behind 104 Baxter ST. in Riverside, Buffalo, NY

First rehearsal place – the garage behind 104 Baxter ST. in Riverside, Buffalo, NY

2 comments for “The Genesis of Parousia – In The Beginning…

  1. Barry Cannizzaro
    September 23, 2014 at 8:10 pm

    Wow; how should I actually start to tell all of you “Parousiamaniacs” how we began…

    All I can tell you is that I was in my backyard “playing scientist” on one eventful summer day back in 1975 at my parent’s house in Riverside; being such a “youngin'” that I was. I was deeply engaged in my microscope checking out different species of Lepidoptera (spelled something like that); that is butterflies; when my brother Jerry (the drummer) approached me and told me “to put down the microscope Barry and pick up your guitar.” He said that they needed me as a guitar player to form a three-piece garage band which they were aiming to call; yes; you guessed it… “PAROUSIA.” I never thought we would amount to anything; Pat was lead singing and playing flute; my brother playing drums; and me on electric guitar and it sounded “cheesy” as hell I tell’s ya’. I remember the first original song that we wrote together called “Crystal City” with a bass line that sounded a little like “Iron Man” by Black Sabbath and with wilder; wackier lyrics.

    Well players; with a little time; and many personnel changes and additions; the final version of Parousia formed in it’s latest and most efficient incarnation with me, Garth, Bob, Pat, Kim, Eric and my brother Jerry; playing a variety of songs (from progressive to good ‘ole rock in roll; hard rock; etc.; even writing our own original songs and working it into a “Good and Evil” show-set with costumes, props, acting and more.

    We payed many of the top night clubs back then (Uncle Sams; Melanie’s; McVan’s, etc.) much via Backstage Productions; being booked by Rick Falkowski and Dave Buffamonti. I guess that’s why we were eventually dubbed and labeled to be Buffalo’s most unique 7 piece rock ‘n roll show-band; getting on the first 97 Rock homegrown album and everything. Just check out all the links players on our ParousiaBuff.com website; and you’ll see what I’m talking about!

    AHHHHH; what a wonderful time it was to be alive and a musician in Buffalo; especially to be so privileged and appreciative to have played in such a monumental awesome show band called PAROUSIA. I’ll truly never forget them and damn good times! “Nuff said! Keep on rockin’ my dudes!

    Barrymannia (‘da dim witted guitarist)

  2. Patt
    November 1, 2014 at 11:56 am

    The thing about practicing in the garage in Buffalo was that it got mighty cold. That would effect the tuning and tone of the metal flute. Also was the smell of Barry’s animals: a wild squirrel and a de-skunked skunk ( which still had a smell, although not the infamous kind).
    It was during the tent meeting that the actual band was formed. As I remember, “diaspora” was another choice of band name that came from our religious studies that year, but the reference to the Jews spread throughout Europe had no connection to a rock band. It was too bad we hadn’t taken Marketing 101 yet, since “Parousia” was constantly misspelled by bar owners and mispronounced by fans. By the time we realized the mistake, it was too late to change it.
    The basic philosophies and goals developed in the tent that day became gospel for the consensus of founding members. I sometimes regret our inflexibility to change, which caused a great deal of tension between us and those band members which were to be added later.

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